He suspects that to some people, the events will seem commonplace, and their horror will be explained away with logic and science. The features of this new cat coincidentally make him an exact replica of the murdered Pluto.
Poe uses the domestic environment to amplify the horror — just as the narrator warned at the beginning of the story, the household is now home to murder.
Then the narrator determines to find the cat so that he can at last rid himself of its presence, but he finds it absent for the first time.
The narrator, at these moments, wishes he could destroy the animal, but stops himself because of the traumatic memory of Pluto but mostly because of his dread of the new cat.
The narrator marries at a young age and introduces his wife to the domestic joys of owning pets. When he finally turns to the cat, it is missing, and he concludes that it has been frightened away by his anger.
This is an interesting take on the traditional Gothic genre: The den setting is filled with alcohol and other substances that provoke illusions and hallucinations. The fire is such a violent coincidence that it seems to have been caused by some supernatural power: The house was on fire.
He tries desperately to explain what he sees with rational thought, but his mind is already infected with superstition and his explanations begin to sound far-fetched and somewhat insane.
But Poe does take his Narrator seriously, allowing The police storm the wall and dismantle it, discovering the hidden corpse. But because of the introduction, we know to be suspicious of this happy family scene.
As with Pluto, the narrator experiences a great fondness for the mysterious cat, which no one has seen before. It is impossible to separate the disturbed vision of the narrator and the reality, because we know his mind is guiltily obsessed with the image of the cat.
Though the narrator sleeps soundly, Poe keeps up the suspense for the reader. By putting the narrator in this setting, Poe introduces another level of mistrust in our intimacy with him.
Poe plays with the idea of the power of a disturbed mind. One night, drunk, the narrator returned home, and imagined that Pluto was avoiding him. The cat must have been thrown into the window when people saw the flames and gotten stuck to the recently plastered wall and been preserved there by the compression of the other walls and the substance of the plaster.
He confesses a great love for cats and dogs, both of which, he says, respect the fidelity of friendship, unlike fellow men. But the narrator did marry, and was lucky to find a wife who appreciated his love of pets, and filled their house with a host of them, including a black cat.
Active Themes Meanwhile, though, the mood of the narrator of "The Black Cat" became progressively worse. In the morning, the narrator of "The Black Cat" felt horrible about the cruel act.
Though facing the scene of the crime, the police do not demonstrate any curiosity and prepare to leave the residence.
In addition to his distorted sense regarding his relationships, the Narrator views his drinking problem as some alien, outside force. The sense of relief is extreme. Preferring not to examine his own motivations too closely, the Narrator adopts the attitude of a bewildered victim, acknowledging the dreadful nature of his deeds, yet remaining aloof from them at the same time.
He works hard to replace the wall and recreate the scene just as it was and in the end is satisfied that nothing is amiss. Further angered by this interference, the narrator turns his rage at his wife and buries the axe in her head.
Upon its head sits the missing cat. We already know that the narrator is on the brink of death, so the fact that the events are domestic and logical makes them even more real and horrific.
In a rage, he strikes his wife in the head with the axe and kills her. The narrator of "The Black Cat" remembers how his wife used to talk about the superstition that black cats are all witches in disguise, but he assures us that this is unimportant to the story. When the satirist makes use of irony, he pretends to take his opponents seriously, accepting their premises and values and methods of reasoning in order to eventually to expose their absurdity.
By comparing himself to a high God, and therefore superior to other animals, he confesses his delusions of grandeur.'The Black Cat' is a short story written by Edgar Allan Poe. Poe was born indied at the age of 40 inand was an important contributor to the American Romantic movement.
His work has also been described as mystery, macabre, and Gothic. Edgar Allan Poe’s “The Black Cat” is a study in self-delusion, in which the narrator’s mind acts as a distorting prism, casting reality into forms which satisfy his self-image, his need for self-justification, and his desire to abrogate responsibility for his actions.
A summary of “The Black Cat” () in Edgar Allan Poe's Poe’s Short Stories. Learn exactly what happened in this chapter, scene, or section of Poe’s Short Stories and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. The Black Cat by Edgar Allan Poe.
Home / Literature / The Black Cat / The Black Cat Analysis Literary Devices in The Black Cat. Symbolism, Imagery, Allegory.
If you are looking for information on one or the other of the black cats here in this section, we can understand why. These furry friends seem like symbols or allegories. In Edgar Allan Poe's short story, "The Black Cat," the nameless narrator begins his horrifying tale by informing his readers that he is about to relate a "series of mere household events.".
Edgar Allan Poe’s “The Black Cat” delivers all of the spooky elements that make a terrifying and haunting tale. This particular dark short story combines fear and guilt with brutality and violence, ultimately leading to the murder of the narrator’s wife. However, it also explores the themes.Download