Faces of the enemy sam keen

It is obvious that he is heavily influenced by propaganda. In the closing pages of this paperback, Keen offers a curriculum of compassion, "The Education of Homo Amicus.

Faces of the Enemy Essay Sample

In a chilling example of the psychological roots of enmity, we meet David Rice, an unemployed welder now an inmate on Death Row. He killed an entire family that were innocent and normal people, but were faced with a horrible death.

Faces of the Enemy is ultimately a disappointing and disturbing book. True pacifists are extremely rare in this world. We will not let our enemies impose their evil ways on us. Senator Hiram Johnson said in He has conducted trapeze workshops at the Omega Institute and at his farm in Sonoma, California.

The film also includes examples of propaganda-filled films and posters that were used during World War II and the Cold War. Yet the psychological and political solutions advocated in Faces of the Enemy are ultimately subversive.

Our social evolution has just begun.

Faces of the Enemy: Reflections of the Hostile Imagination

Conflict precedes propaganda and the technology of warfare. First, examine a typical Jap soldier. Rice then cuts to David Rice, the man that killed an entire family because he thought that they were communist.

Paranoia involves a complex of mental, emotional, and social mechanisms by which a person or a people claim righteousness and purity, and attribute hostility and evil to the enemy.

So, David Rice beat an entire family of four to death. Any depth understanding of the social function of war leads to the conclusion that it was the "good" Germans who created the social ecology that nurtured the Nazis. Its not like the US was alone, during World War 2 cartoons from Germany, Japan, and the US showed how alike many of the countries were in depicting their enemies as rats and snakes.

Psychologists Robert Lifton and Steven Kull explain how war and artificial enemies provide people with the moral and mental certainties they crave, giving them a sense of purpose in a sometimes-ambiguous world. We think others to death and then invent the battle-axe or the ballistic missiles with which to actually kill them.

Not all enemies are figments of our imagination. By studying the logic of paranoia, we can see why certain archetypes of the enemy must necessarily recur, no matter what the historical circumstances. And, perhaps, more than anything else, the wars we engage in are compulsive rituals, shadow dramas in which we continually try to kill those parts of ourselves we deny and despise.

This is because it fills the solders with hate for that particular enemy and that hate drives the solders to kill.

This, Campbell further contends, may be the origin of compassion, brotherhood and altruism, in other words the inverse of war. Killing civilians becomes "collateral damage," defoliating entire areas with Agent Orange is "an environmental adjustment," a nine-megaton warhead is transformed into "a potentially disruptive re-entry system.

The Japanese and the Germans committed many violent acts in the countries they invaded. The film discussed the sociological, psychological and political aspects of war as well as the strategies we use to dehumanize the enemy. Modification of normal language into euphemism is one kind of pyschological warfare.

All of it would say how we are good, and they are evil, or we are the victims and they are the ones to blame. Consensual paranoia -- the pathology of the normal person who is a member of a war-justifying society -- forms the template from which all the images of the enemy are created.

Even more importantly, we must find an alternative to the warrior myth which so animates our public and private lives. Keen quotes Ernest Becker who says,"If there is one thing that the tragic wars of our time have taught us it is that the enemy has a ritual role to play by means of which evil is redeemed.

This would mean that the United States must come to terms with its consensual paranoia and the myth of redemptive violence.To ask other readers questions about Faces of the Enemy, please sign up. Be the first to ask a question about Faces of the Enemy a great collection of war propaganda art.

just avoid the hysterically bad text. the book is full of the sort of ludicrous errors unique to pacifists. was appalled to find /5.

Faces of the Enemy is a collection of over three hundred political cartoons, posters and artwork showing how enemies have been depicted in twentieth century war propaganda.

Accompanying these illustrations is an extensive text by Sam Keen, contributing editor to Psychology Today. ultimedescente.com: faces of the enemy sam keen.

Based on the Book By Sam Keen: Part 1. Enemy Making 2. The New Enemy 3. Beyond Enmity. NR. Currently unavailable. Starring: Sam Keen. FACES OF THE ENEMY: Reflections of the Hostile Imagination Unrated.

by Bill Jersey and Jeffrey Friedman. As relevant today as when it was first released, Faces of the Enemy follows social psychologist Sam Keen as he unmasks how individuals and nations dehumanize their enemies to justify the inhumanity of war. book Faces of the Enemy(San Francisco: Harper & Row, ) and the PBS documentary film Faces of the Enemy produced by Bill Jersey and Sam Keen (available in 16 mm film or VHS videocassette from the Catticus Corporation, Tenth Street, Berkeley, CA[] ) as.

The date for Faces of the Enemy is correct (), but the "Face of the Enemy" movie appears to have been released in The cast list, review, and everything else is correct for "Face of the Enemy"- but again, the summary is for "Faces of the Enemy" which is now being marketed through the web pages for California Newsreel and Sam /10(22).

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Faces of the enemy sam keen
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